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The Legend of Zelda: Breath of the Wild in critique: The Legend Lives! Hero Link embarks on his biggest adventure to date – and now we have followed closely to get a long time. Now we’re clearing the burning question: Can it be worth considering that the call of the wilderness – or will be Nintendo drifting into a dead end ?

For years, it was considered an incontrovertible lawThe Legend of Zelda games must perform without voice output – from the opinion of the programmers, as it would weaken the ability for players to imagine the voices of these characters themselves and hence delve deeper into the entire world. But with Breath of the Wild, it’s there, the voice over – with no one really covers it. Why? Because this aspect contains vanishingly little relevance, given the sheer bulk of little and big changes which the title makes to the concept established because the first game of the show in 1986.

A vast, open planet, nearly absolute freedom in the range of secondary and main tasks, healing item crafting and, and, and – Breath of the Wild actually leaves no Zelda stone on the opposite and generally seems to be almost making fun of splitting seemingly incontrovertible conventions. This is daring and certainly will leave many long-established series fans dissatisfied without question. After a good 60 hrs, which we’ve spent in Hyrulewe can simply strongly advise everyone else – if Zelda connoisseur or new comer – to grant the adventure a opportunity. What Nintendo has generated here isn’t just the most different, but also one of the better Zelda parts from the magnificent series history. And on top of that, it’s a terrific open-world experience and at exactly the identical moment a fantastic song about the venerable Wii U as well as a fabulous introduction to the beautiful new Switch world.

Zelda: Breath of the Wild in review

Everything starts as (almost) always: within his present re incarnation, series protagonist Link is pulled out of sleep at the beginning of the game – but perhaps not by the mid day nap, but from a hundred years of rest, also stupidly deprived of his memory. What he finds out, however, is that there is certainly something amiss with his home world: huge, mechanical monsters comb the nation, monsters make life difficult for your own Nimlians everywhere and revolve influence over Schloss Hyrule, like a menacing shadow, that the originator of this evil: the destruction of Ganon, the current reincarnation of this sequential villain, and to destroy everything on earth. The danger is related to that which happened thousands of Years Back in Hyrule… What seems like an exciting start to an intriguing story, unfortunately, Doesn’t really develop in to one:

Rather, after a few hours of playing time, you have heard everything you need to know more about the plot and there aren’t any sudden twists in any respect. For to this particular point in the game you might need the aid of the: All narrative developments light for the most part additional specifics of the assumption, in addition, one has different narrative backgrounds with focus on slightly different facets told several times. The language output mentioned at the beginning is restricted solely to chief story cut scenes, in normal sequences in addition to in dialog with NPCs must be read just as usual – and – Held Link himself, as usual, does not shut his mouth in principle. By the way, if you can speak English, you must definitely switch the system language of your console and enjoy the corresponding speakersbecause the German synchro has fallen substandard and in most useful at Saturday morning cartoon degree. In addition: Since Link can be regularly called by name in these sequences, this time it is no longer easy for people to give the protagonist his or her own name.

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